Shri Surya Dev Aarti
By Traditional (anonymous)19th–20th centuryKhadi Boli Hindi
Verses
Refrain (sung after every stanza)
Om Jaya Kaśyapa-nandana, Jaya Aditi-nandana।
Tribhuvana-timira-nikandana, bhakta-hṛdaya-candana॥
Om Jaya Sūrya Bhagavān॥
Om — victory, son of Kashyapa! Victory, son of Aditi!
Destroyer of the darkness of the three worlds, sandalwood-fragrance in the heart of devotees.
Om — victory, Lord Surya!
Stanza 1
Sapta aśva ratha rājita, eka cakra dhārī।
Duḥkha-hartā sukha-kartā, mānava-sukhakārī॥
Resplendent on a chariot drawn by seven horses, holding a single wheel.
Remover of sorrows, bestower of joys, blesser of mankind.
Stanza 2
Svarṇa-varṇa kañcana-ratna, kaṅkaṇa-kuṇḍala dhārī।
Mukuṭa suśobhita mastaka, hātha kamala bhārī॥
Golden-hued, adorned with gold and jewels, wearing bracelets and earrings.
A crown shines on your forehead; in your hand, a great lotus.
Stanza 3
Brahmā Viṣṇu Maheśvara, tuma tīna rūpa ho।
Sattva rajas tama bhedī, kāraṇa-svarūpa ho॥
Brahma, Vishnu, Maheshwara — you are the three forms.
Discerner of sattva, rajas, and tamas — the very form of the cause.
Stanza 4
Prātaḥ-kāla aruṇa udaya, madhyāhna tapate ho।
Sandhyā-astācala jāta, phira bhī jñānī ho॥
At dawn, the rosy rising; at noon, the burning heat;
at evening, descending behind the western mountain — yet ever the all-knowing.
Stanza 5
Jo jala arpaṇa karte, arghya-samarpaṇa se।
Unako ārogya dete, Sūrya kṛpā se॥
Whoever offers water, by way of arghya (water-offering),
to them you grant health, by Surya’s grace.
Stanza 6
Ravivāra ke vrata se, phala-āhāra rakhate।
Sūrya kṛpā se jīvana, sukha-samṛddhi bharate॥
Through the Sunday vrat, with fruit-only diet,
by Surya’s grace, life is filled with joy and prosperity.
Stanza 7
Chaṭha-pūjā kā parva, Bihārioṁ kā pyārā।
Cāra dina taka saṁyama, arghya se uddhārā॥
The festival of Chhath Puja, beloved of the people of Bihar —
four days of restraint, deliverance through arghya.
Stanza 8
Rāma-Kṛṣṇa ke preraṇā-srota, Sūrya-vaṁśa-dhārī।
Daśaratha-Kuntī-garbha se, avatāra bahārī॥
Source of inspiration for Ram and Krishna, bearer of the Solar Dynasty.
From Dasharatha and Kunti’s wombs — incarnations of grandeur.
Stanza 9 — Phalashruti
Jo bhakta gāye āratī, śraddhā se terī।
Roga-śoka saṅkaṭa saba, dūra bhāgate bherī॥
Whoever sings this aarti with faith,
their disease, sorrow, and crisis flee far away.
Closing Refrain
Om Jaya Kaśyapa-nandana, Jaya Aditi-nandana।
Tribhuvana-timira-nikandana, bhakta-hṛdaya-candana॥
Meaning
This aarti is a brief tribute to Lord Surya — his glory, his form, his family lineage, and his graces. Eight stanzas, with the refrain “Om Jai Surya Bhagwan” sung between each.
The refrain invokes Surya by his familial epithets:
- Kashyap-nandan — son of Sage Kashyapa (his father in Puranic tradition)
- Aditi-nandan — son of Aditi (his mother; this is the source of his name Aditya)
- Tribhuvana-timira-nikandana — destroyer of the darkness of the three worlds
- Bhakta-hridaya-chandana — sandalwood-fragrance in the heart of devotees
Stanza 1 describes his iconic chariot — drawn by seven horses, with a single wheel.
Stanza 2 describes his golden form — wearing gold and jewels, bracelets and earrings, with a crown and a lotus in hand.
Stanza 3 is the theological centre: Surya is Brahma, Vishnu, and Maheshwara. He is the discerner beyond the three gunas (sattva, rajas, tamas) — the very form of the karana (causal principle).
Stanza 4 traces his daily journey: dawn-rising, noon-blazing, evening-setting — and yet he is ever jnani (all-knowing).
Stanza 5 is the practice-stanza: those who offer arghya (water) receive health from Surya.
Stanza 6 specifies the Sunday vrat (fruit-only fast) — granted joy and prosperity.
Stanza 7 salutes Chhath Puja — the four-day festival especially beloved in Bihar, Jharkhand, eastern UP, and the Nepal Terai.
Stanza 8 lists Surya’s most famous descendants: Rama (of the Surya-vamsha through Dasharatha) and Karna (the Mahabharata hero, son of Kunti and Surya).
Stanza 9 is the phalashruti — whoever sings this aarti with faith finds their disease, sorrow, and crisis fled.
History
This particular Surya Aarti was composed in the 19th–20th century, but Surya-vandana itself goes back to the Vedic period. The Gayatri Mantra is itself a Surya-stuti.
The melody “Jagdish Hare” has become the standard aarti tune of North India, and this Surya aarti is sung to it. Daily evening aarti at North Indian Surya-temples uses this composition.
Puranic references:
- Kashyap-nandan — son of Sage Kashyapa; in the Puranas, Surya is the son of Kashyapa and Aditi.
- Aditi-nandan — son of mother Aditi; this is the etymology of his name Aditya.
- Surya-vamsha — the Solar Dynasty that includes Dasharatha, Rama, Bhishma, Yudhishthira, Bhagiratha, and Ved Vyasa (son of Satyavati).
- Kunti-Karna — Karna is the son of Kunti and Surya; the radiant warrior of the Mahabharata.
Modern observance — sung today:
- At daily evening arati at Surya temples
- At Chhath Puja after the arghya offerings
- At Ratha Saptami worship
- After a Sunday vrat
- In household worship after sun-darshan
How to Perform the Aarti
When
- Daily evening arati — before sunset
- Sunday — after special worship
- Ratha Saptami, Chhath Puja, Makar Sankranti — major festivals
- After a solar eclipse
- Before journeys, exams, and difficult tasks
Steps
- Aarti is sung after Surya worship — following the Gayatri Mantra, Surya Chalisa, or Aditya Hridayam.
- Prepare the thali with a 5-wick ghee lamp, incense, red flowers, akshat.
- Light the lamp and begin.
- Rotate the lamp clockwise seven full circles.
- Keep tala with bell, claps, or conch.
- Face east while singing.
- After the aarti, offer pushpanjali (flowers).
- Apply red sandalwood tilak to the forehead.
- Distribute prasad — jaggery, dates, fruits.
Musical accompaniment
Traditionally accompanied by harmonium, tabla, manjira, dholak, and conch. The conch sound is considered especially auspicious for Surya worship.
Significance
- Set to the famous “Jagdish Hare” tune — universally recognized.
- Surya’s familial roots — Kashyapa and Aditi remembered.
- Solar-dynasty pride — connection to Rama, Krishna, and Karna.
- Chhath Puja remembrance — especially meaningful for Bihari and Jharkhandi devotees.
- Beyond-the-gunas indication — the discerner of sattva, rajas, and tamas.
Frequently Asked Questions
Is this aarti’s tune the same as “Jagdish Hare”?
Yes. The popular “Jagdish Hare” tune is the standard aarti melody of North India. This aarti is sung to it. Once you know the “Jagdish Hare” tune, you can sing this without re-learning.
How many times should the lamp be circled?
The traditional count is seven — four near the feet, two near the navel, one near the face. Five is acceptable as a shortened daily routine.
How to teach this aarti to children?
Start with the refrain — “Om Jai Surya Bhagwan, Swami Jai Surya Bhagwan” — repeated many times. Add stanzas one at a time.
Is this aarti only sung at Surya temples?
No. It is sung in homes as part of household Surya worship. Especially on Sundays, Chhath, and Ratha Saptami. Even in general household puja, after sun-darshan it can be added.
Can women sing the aarti during menstruation?
Mental singing and arati at a distance are always permitted. Avoid touching the murti or holding the lamp. Most contemporary acharyas hold mental remembrance to be universally meritorious.
What is suitable as prasad?
Jaggery, dates, fruits, thekua (especially for Chhath Puja), and red sweets. Surya likes red colour — red sandalwood, red flowers, red clothing — all suitable.
Should this aarti follow any other aartis?
Standard evening sequence: (1) Surya Chalisa / Aditya Hridayam / Gayatri Mantra; (2) this Surya Aarti; (3) “Om Jai Jagdish Hare” — as the universal closing arati to all gods.
Why is this aarti also sung after a solar eclipse?
A solar eclipse is traditionally seen as a time of crisis for the sun. After the eclipse, bathing, sun-darshan, and aarti carry the meaning of re-establishment and restoration of normal solar grace.